What does Padilha's film ///Bus 174/// argue about the relation between race, th

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What does Padilha’s film ///Bus 174/// argue about the relation between race, the culture of violence, and media visibility? What is the hypervisibity that Villarejo mentions in her text? And what do you think is the film’s position to this?
(please, refer to at least one specific scene of the film, or the Villarejo’s article)

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